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Straight From the Mouth
The Morning Mouth's February Interview with Bob & Tom
(Reprinted by permission; Copyright © 2005 Talentmasters Inc.)
Due to a slight cold and laryngitis, Bob Kevoian was unable to join this interview.
Take us back to the beginning?
Tom Griswold: I started in Land Florida near Daytona Beach. I had been vacationing in Harbor Springs, Michigan, all my life. After I left Land I went up there and Bob was with a singing group based in Los Angeles called the Young Americans. It was like a Broadway touring group. That is where Bob and I met. He was working at a radio station parttime and we hooked up and worked there for three years. It's a vacation place for people from Detroit especially, and Chicago.
Can you recall your first impression of Bob?
T: Yes, absolutely. I had gone to see the J. Geils band and on the way Harbor which is a lonely downtown bar in Harbor Springs. There was a guy tending bar who asked a guy playing pool if they had fixed the cart machine yet, I thought the only cart machines I have ever heard of were at radio stations and I said do you work at a radio station with the bartender and he said yeah, it was Bob. I had just left the station and wanted to look and I said 'Hey, can I come in and look at a copy of Radio and Records? So, I went into the radio station the next day and I ended up working there. It turned out their Program Director was phasing off the air so I ended up working afternoons and he worked middays, Bob was working three jobs at the time. During the transition we made some tapes and submitted them to the big hundred thousand watt station up there at the time there were about three or four hundred thousand watt giants and one of them was WJML, it was sort of a Top 40 station, that is where Bob and I submitted a tape and the guy who was there hated us and never used it, but about a year later that guy got fired and a new guy came in and just cleaning off the the other guy's desk he heard the tape and Bob and I got hired. I started doing news and Bob did afternoons, but eventually Bob and I took over mornings and that is how we really started. We've been working together since 1980.
The story about us was we had a couple of things happen simultaneously.
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What year was this?
T: 1983.
Did it take long for the show to catch on?
T: Yeah it did. When we came down, the station was involved in a promotion in which they had to play five in a row for you to win $5000. It was hard to do a morning show with all that music, it is laughable now because we have not played music in a decade, except for our own stuff, we just talk. To make an impact anytime, when you go into a new city depending on what you are up against and what kind of promotional stuff is being done for you, it takes awhile for people to change their listening habits. We fight that to this day, most people listen to what they listen to and to get them to change the dial is real tough. When we first got here we were out in the streets every night and doing stuff and we finally convinced them that it was not doing us any good to be out until midnight or until two in the morning doing bar gigs and then getting up at six and trying to be funny. We had to really focus on doing the show. I remember those were the days of the Birch Ratings. Our experience was they were sort of a year ahead of the curve, they seemed to be
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Is it fair to say that you've dominated in Louisville for over 20 years?
T: Yes I think we have been number one in our key demo's forever, but we have also been number one in the morning as long as I can remember.
How have you managed to stay funny and successful that long?
T: This is like asking people how you lose weight, you tell them diet and exercise and they go 'But it's boring! We keep it funny by working hard and we have a great group of people that we work with. And we try to keep it as fresh as we can. Let me give you and example in the last been a tremendous success for us and I hope for them.
I would be remiss if I didn't ask about your Christmas CD's. You were in the forefront here and with some 30 CD's under your belt, haven't you raised something like 4.5 million dollars?
T: Yes something like that, it's several million.
Any tips that you'd like to pass on?
T: To do a Christmas CD you really have to think about it every day. You have to take notes and figure out what you are going to do. Because of the success of our CD's, I have the advantage actually owning a recording studio. We record stuff on a weekly basis and it's mostly our stuff, our band. My suggestion is to do as much original stuff as you can and you really have to be up and running to get the CD's out in between Thanksgiving and Christmas.
When do you start pulling material that you want to use for that?
T: Right now. This year we did a free DVD with our CD when you purchase it on our web site. We have a camera now running in the studio so we have just that much more stuff the first dvd was called "The Bottom Fell Out of the behind-the-scenes and out takes from the commercials. In the Classic Rock area a lot of CD's now come with a free DVD. I did not want to get on board that but we were extremely successful for us.
You're show's always been a haven for great comedians. Who makes you laugh the most?
T: It's hard to pick out one. Heywood Banks, Rodney Carrington. I think Tim Wilson is one of the most energetic and great performers out there. Sean Morey is great. One of the things I've always found is a lot of times the best comedians are the guys you haven't heard of because they have to work it. Sometimes these guys who get a little more fame can't seem to turn it on as bright as they used to.
What do you make of the whole indecency issue?
T: It's such a grey area, it's making everyone's job kind of difficult. We've all had to adjust. The problem is if we do a piece and get fined, it's after the fact. We can't take a song and send it to the FCC and ask "Is this okay?" We have to do it on-air, and then if they make a judgement later it could be our careers. We're doing live conversations with comedians and people on the telephone. During the span of a 7-second delay we have to decide if something is actionable. The FCC has a year!
I want you to leave us with a phoner that every show out there would be crazy not to do.
T: This one was fascinating to me and the response was unbelievable. I'll try to make it brief. The genesis comes from conservative writer William F. Buckley. He was telling the story of boating in the Colorado river when the boat he's in, capsizes. As he was hurdling down the rocky rapids -- a time most others would be thinking of death -- all he could think about was a magazine article he was writing on pornography. He remembers he has a box of porno magazines in his closet and he's concerned he would die and his wife would find them and think he's some kind of pervert. We started taking phone calls on 'What is in your closet right now that if you dropped dead would be troublesome?' We had some of the greatest phone calls ever. One guy called and said he found a 16mm film in a closet which turned out to be a porno film of his mother-in-law that she had made in the '60's.
Thanks for that and for the interview. We'll cut it off here so everyone can quickly head for their closets.
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